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She was left fighting her demons alone . . .
For sixteen-year-old Danielle DeCorso, the old house in Glastonbury was an eerie place to grow up. Coping with mental health challenges exacerbated by a traumatic family dynamic, Danielle watches from the window for two men in a dusty black sedan who keep circling the house and harassing her with phone calls. The two predators drugged her and her cousin, Angie, and then lured them from Pleasure Beach in Bridgeport to a secluded cottage on Long Beach West. She remembers feeling dizzy, the room spinning. She recalls screaming, crying, fighting, and then slipping in and out of consciousness. Angie, however, has no recollection of the incident.
When Danielle attempts to jog Angie’s memory and convince their best friend, Farran, that the two strangers had victimized them, no one seems to believe her. Alone in her pain, Danielle remains guarded, obsessed, and withdrawn. Soon she is sinking deeper into a tumultuous world of adolescent isolation and change. Grief, guilt, and anger send her spiraling into an even darker place.
Tormented by terrifying nightmares, she fears she will lose her sanity, or possibly her soul. Is she having post-traumatic stress hallucinations, as one of her friends suggest, or are her recurring nightmares as real as they seem? Trapped in an unyielding emotional bondage, Danielle continues the fight to reclaim her power. Startling revelations awaken her newfound spirit, inspiring a once naïve girl to grow into a woman of defiance and courage.
Genre: Suspense, Young Adult
The Best Writing Advice I’ve Received
The Best Writing Advice I’ve Recieved
Guest Post by Kyrian Lyndon
Don’t take yourself too damn seriously!
Accept that you are vulnerable, and make peace with that.
All of us want praise. We want the glowing five-star reviews. There‘s nothing more gratifying than knowing your work has touched someone profoundly or thoroughly entertained as intended.
Our friends kindly remind us that we all face rejection and that no one is above criticism. That’s true; someone has criticized every successful writer we know. But hearing that is not quite as comforting as it’s intended to be, so we secretly hope to be the exception.
We might be—if we tiptoe around—if we ask only our friends for reviews. We’ll get fewer reviews, but they’ll all be five-stars, right? On the other hand, if we want to reach millions of readers, we have to throw ourselves fearlessly into the arena, making ourselves more vulnerable to criticism.
Writer friends have said to me, “But, what about the internet trolls?”
Well, the truth is, people who take themselves too seriously are the perfect target for trolls. They are the ones who will argue with the trolls, thinking they will somehow get that person to sympathize or agree. It won’t happen because trolls lack empathy, or they wouldn’t be trolls. If they know they’ve upset you, they will continue to provoke you. You can’t get caught up in the futility of that.
At the same time, not everyone who doesn’t like your work is a troll. There is legitimate criticism. We can get it from beta readers, good editors, and yes, honest reviews.
When it comes to betas and editors, we want that person who will say, about a particular scene, “You can do better than that.” We get lazy sometimes even with so much at stake. It’s wonderful to hear someone say, simply, “Oh, it’s great, I love it!” But if you’re still trying to iron out the kinks in your story, that’s not going to help you. I want to know where they got confused, where they got bored, what annoyed them, what characters they liked and didn’t like. That will help me determine whether I’m getting the effect I want. Not everyone will agree, of course, so it helps to get several people looking at your work—people who are not afraid to be objective and possibly upset you. Personally, I will not beta read for most people because I know I will give the honesty that I’d want myself, and I realize not everyone can handle that. I have gotten upset, too, a couple of times, but I got over it. We don’t always have to agree with someone’s criticism, but we need to be open to it.
My beta readers have me laughing hysterically with some of their comments, especially with things that need fixing or clarifying. A simple, “Really?” or “Seriously?” can have me in a fit of giggles. The times we are laughing together on the phone or in person are the most fun. Even if they say, “This guy sounds like a douche,” I’m only going to be concerned if he’s not supposed to be sounding like a douche, and then we talk that stuff out. A bit of lightheartedness and a good sense of humor is key.
In an early draft that I wrote many years ago, I had decided to start at the beginning of my character’s life. By page 455, she was still twelve! I can’t help laughing now about how ridiculous that was. I had so much to learn about brutal editing (cut, cut, cut), where to begin a story, proper outlining, etc.
While my latest book, Shattering Truths, is not an autobiography, it is a story about profound things I’d witnessed in my life. For that reason, it became deeply personal and very precious to my heart. It’s hard to be flexible when you are that emotionally involved, and, honestly, we become emotionally involved in all of our books to one degree or another. That can give you some serious tunnel vision. I needed feedback, and then, simply, to let go of what wasn’t working.
I will say, the first time I read a criticism of my work from a reviewer; it surprised me that I didn’t get upset. If anything, I was curious. I wanted to understand her point of view.
Admittedly, it wasn’t scathing, and she had many nice things to say, but I was able to handle that in a way that I couldn’t have at one point in time. It was because, by then, I had stopped seeing myself the way I saw myself at the age of seventeen and for many years to come—as the writer, the destined one, or, ack, the chosen one. I had come to accept that I am one writer in an endless sea of writers— just another voice in the choir.
Some people don’t like this perspective—at all. Years ago, I would not have liked it either.
I’ve heard, in response, “You have to take yourself seriously or no one else will, right?”
Oh yes, for sure, but we can be serious, and we can be too serious. For me, the shift in perspective, from taking myself too seriously to taking myself just seriously enough has worked well. Here’s why.
When we see ourselves as a part of everything and not the center of everything, we begin to want for others what we want for ourselves—success! We’re not in competition for that because we know there is enough to go around. When we’re taking ourselves too seriously, those other people do not exist except as competitors. It’s about us and us only, so whatever happens to us is more important than what happens to everyone else. Less than favorable outcomes are magnified and often unbearable.
It helps to take it down a few notches and strive for a little humility. That includes checking ourselves and questioning the motivation behind decisions we make.
It’s not as hard as it sounds, and, eventually, it becomes a part of who we are.
By striving to keep my ego in check, I’m in a better position to handle criticisms and failures because I don’t have to prove I am beyond reproach. I haven’t placed myself up on a pedestal where I see myself as superior to and separate from others. I don’t believe I am so important that my haters are just sitting around watching and waiting to laugh at me when I fail. If they are, then they’re wasting precious time and won’t be able to achieve very much in their lives.
What this mind shift does is; it gives us permission to be vulnerable—permission from ourselves because no one else is stopping us. Then, instead of worrying about what others will think, we just write from the heart. We focus on learning to master our craft—something we absolutely cannot do when we think we already have it all down.
The truth is, we never stop learning, and there is always room to improve! I’m sure even the most successful writers would admit that, so it helps to embrace the learning process. Our confidence will increase as we evolve.
It’s all about honesty and integrity, and just being the best you can be.
About the Author
Kyrian Lyndon is the author of Shattering Truths, the first book in her Deadly Veils series. She has also published two poetry collections, A Dark Rose Blooms, and Remnants of Severed Chains. Kyrian began writing short stories and fairy tales when she was just eight years old. In her adolescence, she moved on to poetry. At sixteen, while working as an editor for her high school newspaper, she wrote her first novel, and then completed two more novels at the ages of nineteen and twenty-five.
Born and raised in Woodside, Queens, New York, Kyrian was the middle of three daughters born to immigrants —her father from Campochiaro, Italy; her mother from Havana, Cuba. She has worked primarily in executive-level administrative positions with major New York publishing companies. She resides on Long Island in New York.
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